Treats! Magazine Issue Three | Page 10

BARDS, SEERS, CHINESE MARINERS & KATE BOSWORTH Thirteen miles south of Carmel, California stands one of the highest single-span concrete arch bridges in the world, the Bixby Bridge. Its elongated beauty is matched only by the perfectly marbled blue-and-white ocean waves crashing on the rocky coastline below, the two-story-high white spit continually splattering on the razor-sharp rocks. Reaching over 260 feet high and spanning over 700 feet long, Bixby Bridge is a structural masterpiece, and probably the most photographed object along Highway 1. It is here, miraculously, at the river mouth that flows under the bridge, that the California sea otter was rediscovered one day in 1938 playfully frolicking in the kelp beds, after a mysterious and unexplained 100-year about the drug the inhabitants used to live forever,” landed on the rocky shores and explored the jungles. In recent years, a large, heavy stone anchor, from what appears to be an ancient Chinese ship, was discovered off the coast, perhaps lending veracity to the folkloric theory. Others say voyagers from India, Cambodia, Malaysia and Java made it to Big Sur. There is evidence, too, that the Russians were drawn to the area by the sea otter pelt trade in the 1770s, bringing with them highly skilled Inuit hunters to harpoon the sea animals from their kayaks; their tenure in Big Sur helped to establish the area’s reputation as “a dark and bloody land.” A tome in my hotel puts it bluntly: “Feuds, murders and suicides in Big Sur were reminiscent of the Ozarks.” No matter how many times you enter Big Sur, it is a psychological and transformative event. The place seems like it just sprang to life from the pages of a Maurice Sendak book. You half expect to be greeted by hookah-smoking dragons and operatic fireflies. FOG SPIRITS, RED-LEGGED FROGS, SEA BEASTS, MEDICINAL WATERS, HUMAN NESTS, SUBLIME HOTELS, AND THE LIT CULT OF SEX & ANARCHY. WELCOME TO THE RESTORATIVE MAGIC OF EL PAÍS GRANDE DEL SUR. by Rob Hill photographs by Todd Hido 10 treatsmagazine.com extinction. And, October 2011 marked 79 years since the Bixby Bridge allowed travelers to cross into the mist-shrouded—some would say magical—forests of Big Sur. While Big Sur is more an area and an experience rather than an official town and destination, its unofficial perimeters include the 90 miles of coastline stretching from the Carmel River south to the San Carpoforo Creek, extending 20 miles inland to the eastern foothills of the Santa Lucia Mountains. Like Bhutan, the last pristine Buddhist wilderness hidden in the Himalayas that has only recently become an international destination, the Eden of Big Sur has for centuries been semi-blessed by its splendid isolation, namely its jagged and impenetrable coastline. From the 1800s to the 1950s, Big Sur was the watery graveyard to over 20 major and spectacular shipwrecks. Finally, in 1886, a lighthouse was built at Point Sur and a slow trickle of explorers began to arrive. The first Europeans to see Big Sur were Spanish mariners in 1542, who sailed up the coast but never actually landed. Almost two centuries passed before the Spanish attempted to explore Big Sur again, and in 1769 the first Europeans set foot there but were so terrified by the rugged coastal wilderness that they settled far inland. Before they did, however, legend has it that the Spanish gave Big Sur its name, dubbing the region “el país grande del sur” (the big country of the south). Not surprisingly, over the years the place has developed, like its ghostly morning murk, a mystical he-said/she-said shape-shifting history. Diehard Sur-ites swear that Chinese mariners, who were sent by the emperor in the first millennium BC to “search for the mountainous paradise and find out In 1943, according to one of Big Sur’s first settlers, rancher Walter Trotter, a WW II Japanese submarine surfaced off of Partington Cove, one of only two known Japanese subs to be spotted off the West Coast during the war. Author Robert Cross, who wrote Big Sur Tales and Henry Miller: The Paris Years, likes to talk about how, during Prohibition, Big Sur had a system to profit from the illegal booty. In Big Sur Tales, Cross shares of rancher and hog-farmer Rojillo Castro’s entrepreneurial endeavor: “In the dark nights many a basket of money was lowered down the front cliff of the rancho’s grassy knoll to the moonlit shoreline below…in exchange for quality bootleg alcohol pulled back up. Neither buyer nor seller ever saw each other.” According to Cross, the Feds got wind of this and sent an agent, Kurtz-like, down the coast to sort it out…but he never came back. When another agent was later sent, he found the first agent’s horse with his colleague’s boots still in the spurs. “They never heard from the Feds again,” Cross says. The more time you spend in Big Sur you quickly realize there is something allegorical—not quite real—about the place that has inspired so many myths, poems, dreams and dewy apocrypha. However, the more documented changes in Big Sur came in the early-to mid-twentieth century, when its natural beauty, uncanny spirituality and monkshood began to attract writers, artists, astrologists and exiled healers: Robinson Jeffers, Henry Miller, Hunter S. Thompson, Emile Norman, and Jack Kerouac journeyed to and/or lived here. Kim Novak, Clint Eastwood, Jack London, Man Ray, Jimi Hendrix and Dylan Thomas were also swayed by its spell. But it was Jeffers, who coined the phrase “in-humanism”—the belief that mankind is too self-centered and too indifferent to the “astonishing treatsmagazine.com 11