Once upon a time, in 1950s America, the future seemed bright. Original ideas in art and architecture existed in abundance. Industrial innovation, superimposed upon the blank slate of a humbled postwar world, provided a new blueprint for living. American cities were being reimagined in steel, glass and light. Homes were to be functional but pleasant, uncluttered cradles within which the new generation would thrive. Amid the blooming ideals of modernism, a brighter and more harmonious future for humankind seemed guaranteed. Sixty years on, hope has devolved into uncertainty. But modern architect Ray Kappe is still optimistic.

PORTRAITS BY STEVE SHAW / ARCHITECURAL PHOTOGRAPHY BY HUNTER KERHART

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